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Review: Queen Lear
For the first thirty seconds I thought we were in for something special in Queen Lear . Robyn Nevin in the titular role, regally costumed in...
The Last Post
Dear Readers As some of you will already know, I've decided to close down Theatre Notes. It's a decision that's been staring m...
Review: The Heretic
Because Richard Bean's play The Heretic is about climate change, it attracted the notice of hardline climate change denier Andrew Bolt ...
Review: Baal
Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton'...
Review: Special, Silent Disco
I wish I could adequately explain the irrational joy that The Rabble's latest work, Special , invoked in me when I saw it last week. The...
"Sh*t self-righteous theatre bloggers say"
Update: Jana Perkovic weighs in at Guerilla Semiotics . Well worth the read. Update 2: The Guardian 's Noises Off rounds up the brouha...
2020 Open Letter in Support of Bill Henson
I know it's been quiet on the blog the past couple of days. However, it has not been quiet at home: I've been putting together an Op...
Review: Don Parties On
Every time David Williamson writes a new play, the Australian theatre world launches into one of its favourite games. It goes like this. The...
Review: Sleeping Beauty
Sleeping Beauty: This Is Not A Lullaby , directed by Michael Kantor. Devised Paul Jackson, Maryanne Lynch and Anna Tregloan. Scenario by Mar...
Ms A's Guide To Theatre Etiquette
I see that Dr Peter West, retired university lecturer and social commentator, is in today's Age fulminating on the bad manners of Young...
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